Ciganski Orijent – Romani/Serbia [Zoran Vasilijević*]
Ciganski Orijent is a lively performance number choreographed to the tune of the same name using variants of the Serbian Romani dance Orijent. It was performed by both the AMAN Folk Ensemble and Duquesne University Tamburitzans and introduced to the recreational folk dance community by Zoran Vasilijević in 1966 at the California Kolo Festival. It is one dance in a family of performance and recreational folk dance creations with the appellation “Orijent.” What was actually danced in 1950s Serbia as “Orijent” were simple motifs with leader improvisation. Speculation as to the “Orijent” name is that it refers to the famous Orient Express long-distance passenger train service that passed through the Serbian Šumadija region and surrounding villages of Belgrade, such as Železnik, on its way between Paris and Istanbul.
Dance Name: | Ciganski Orijent |
Country of Origin: | Serbia |
Region: | Šumadija |
Ethnicity: | Romani |
Dance Type: | Circle/Chain/Line: non-partner |
Dance Category: | Oldies RIFD |
Folk Status: | Performance Adaptation |
Skill Level: | Fast-Intermediate |
Energy Intensity: | Lively |
Original Script: | Цигански Оријент |
Pronunciation: | TSEE-gahn-skee OH-ree-yent |
Translation: | [Romani] Orijent |
Aliases: | Tsiganski, Orient |
See Also: | Orijent |
Presented in USA: | Zoran Vasilijević |
Year: | 1966 |
Tune: | Ciganski Orijent; Orijent kolo; Narodno kolo; Čivijaški džumbus |
Time Signature: | 2/4 |
Dancer Formation: | Open Circle |
Hand Hold: | Escort or V-position |
Leads to: | R w/ R |
Date Taught: | 4/30/2024 |
Teachers: | Deryl & Wally |
Published: | February 22, 2024 |
Updated: | May 1, 2024 |
There are several variations of dances listed as “Ciganski Orijent.” Reading the notes in Dick Oakes’ collection, they all share some similar motifs, but they are distinct variations and sequences. As for YouTube videos, I only have found ones of the morphs described on Folk Dance Musings that have “4 Parts + repeat-of-Part-2” and lots of repetition. In the videos, some start with a different part than the common “Part 1,” but they eventually follow the “normal” sequence.
The Orijent Step
In Part 2, the “Orijent Step” (so-called by Dick Oakes & Dick Crum because it a variation of the main step in the original IFD choreography “Orijent“), Andrew Carnie describes two variations on Folk Dance Musings. Version 1: “123, Point” and Version 2: “Points.” Tucson does Version 2, as does Fort Collins. I prefer Version 1, because it is the original Dick Crum “Orijent” step (reversed order), so why do something different? Andrew Carnie suggests that Crum actually taught Version 2 for Ciganski Orijent, based on dance teaching syllabi. However, if you can’t decide, there is a third variation seen in the videos and a couple more described in dance notes that is a hybrid of Version 1 & 2.
Version 3: “Hop-Cross, Point.” You are accomplishing the equivalent of a step-behind with L, but you do it in one count by simultaneously pointing R in front of and across L while hopping or sliding L sideways behind R. Both feet are up on the ball and the R heel swivels to the inside during the movement. The hop is only enough to allow you to move both feet at once across the floor quickly.
The video examples show dance groups with individual dancers doing different variations of the Orijent step along side one-another, just as it should be. Choose what you like or just what you can muster. It’s great to folk dance rather than folk perform!
Orijent Dance Suggested Reading
Dance Steps: What to Work On
The dance has four parts, but if you are already familiar with Dick Crum’s classic “Orijent,” then you have two parts down already, and you can throw in a third, because the first part is so simple. As discussed above, the Orijent Step of Ciganski Orijent, Part 2, can be something derived from the first part of classic Orijent or the identical motif (2 halves swapped, starting with R foot QQS, SS). Part 4 is Part 2 of the classic, but mirrored L|R. That leaves you with new material really only in Part 3.
Part 3 (III): “Hop-Step-Step” QQS, SS
Some do this in-place while other have small progression in LOD. I think Dick Crum taught traveling while Vasilijević and performance groups danced Part 3 in place. Fort Collins does “in-place.”
Part 3, In-Place Version (Vasilijević & other performance, Dick Oakes) Most common in videos
Bar | Rhythm | Step |
---|---|---|
Lift = low hop where the ball doesn’t leave the floor. Facing center, keep feet close to floor. For the most part, R foot stays in one spot, and any movement is incidental to hopping Do Part 3X | ||
1 | QQS | Lift on L (some raise R knee, FC does hook R in front of L) ● R next to L ● L next to R (in place) |
2 | SS | R in place while L begins a low arc around in front of R ● Lift on R and finish arc w/ L in front of R shin |
3 | QQS | Lift on R and L begins to arc back ● L behind R ● R in place |
4 | SS | Point L toe in front ● L next to R |
Part 3, Traveling Version (Dick Crum) Videos: Faust & Tucson; Clark Wang & Dunav have slightly different traveling versions
Bar | Rhythm | Step |
---|---|---|
Lift = low hop where the ball doesn’t leave the floor. Facing center, keep feet close to floor. Do Part 3X | ||
1 | QQS | Lift on L, raise R knee ● R heel fwd & and to R ● L behind R |
2 | SS | R to R while L begins a low arc around in front of R ● Lift on R and arc w/ L in front of R shin |
3 | QQS | Lift on R and L begins to arc back ● L behind R ● R next to L |
4 | SS | Point L toe across R ● weight down on L |
Part Repetitions
Part | Description | Bars per Part | Reps | Total Bars |
---|---|---|---|---|
I | Step-Bounce Bounce (SQQ) | 1 | 32 | 32 |
II | Orijent (SS, QQS or other variant) | 2 | 8 | 16 |
III | Hop-Step-Step (QQS, SS, QQS, SS) | 4 | 3 | 12 |
IV | Shake-Shake (SS, SS, SS, SQQ) | 4 | 4 | 16 |
Overall Sequence: (I, II, III, IV, II) x 2 plus final II or I spiraling into center