Čerešničky

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Čerešničky – Moravia [František Bonuš*]

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Pronunciation:CHAIR-esh-neech-kee
Translation:[“Little” (diminutive)] Cherries
Region:Southeast (now contained in Czech Republic territory)
Introduced:František Bonuš*
Year:1979
Type of Dance:Circle/Chain/Line: non-partner
Category:Oldies RIFD
Formation:Closed Circle
Skill:Easy
Energy:Moderate
Hand Hold:V
Leads to:L w/ L
Meter:2/4
Rhythm:SS SS SS S(hold)
Song:Čerešničky, čerešničky
Date Taught:2/6/2024
Teacher:Debby
Posted:February 8, 2024
Updated:February 10, 2024

Čerešničky is a simple women’s circle dance choreographed to the popular Moravian folk song, “Čerešničky, čerešničky.” Moravia is a historic region in Eastern Europe which has now been absorbed territorially by the Czech Republic, but the Moravian culture persists today. The dance is often incorrectly listed as being “Slovakian” or “Czech.” This is most likely a result of changes in territorial control and border changes. Additional ethnic confusion comes from the home of this dance in the Zlín Region in the southwest of Moravia, where four different ethnographic regions overlap: Wallachia, Moravia, Slovakia, and Haná.

The dance lends itself to a couple of variations from the original notes. A variation I prefer over the boring original bar 3 is to touch R to R instead of touch in place (when traveling to the L). There’s also the “hopscotch” variation for bar 3. Watch Boulder’s Hora Romanesca for all the “good” variations (except the inside-out performance variation & they don’t do arm swings).

Some groups start to the left (RLOD), as described in notes, and then there are the righties. Dunav does the dance as I would expect, but starts to the right. There are also arm swings forward on the down beat (1) and back on the secondary (2) for the Main bars 1 & 2, then forward for bar 3 and back for bar 4. There are no arm swings for the Chorus. Dick Oakes’ notes also says to add a head turn in the direction of travel (1) and back to center (2) for bars 1 & 2.

There is a “coda” for the ending of the dance that some recordings include (performance version), but not generally. Many coda variations, including a couples variant are described in the original notes. The Karen Faust video is the only one presented showing a coda.

Basic Dance Outline

Main
Step (L to side), Close (R), Step, Close, Variation
Repeat in opposite direction

Chorus
Rita, Rita, Key Step
Grapevine, Grapevine, Key Step

The dance alternates Main-Chorus with alternate variations each time Main is done (unless leader-called). All steps are done facing center. Key Step finishes the Ritas and Grapevines, always RLOD.

Key Step: R in front of L, Step L to side, Close R w/ click, Pause.

Bar 3 Variations (Odd # times through, choose one)
* These start with the same foot (per direction, i.e. L travel = L foot) as bars 1&2
Boring Touch: Step (L to side), Touch (R) in place, Close
Better Touch: Step (L to side), Touch (R) to side, Close

Bar 3 Variations (Even # times through, choose one)
* These start with the opposite foot (per direction) as bars 1&2
Lift Across: (for L travel) Lift(R up & down) while Heel(L) across(R), Lift + Heel to side, Close
Hopscotch: (for L travel) Lift(R up & down) while Heel(L) across(R), Jump both wide, Jump both closed

Lyrics

/ Čerešničky, čerešničky, čerešnĕ
  vy jste se mi rozspaly na cestĕ! /
/ Kdo vás najde, kdo vás posběrá?
  Ja som mala včera večer frajera! /

/ Bol to frajer maľolovaný jak růža,
  toho som si vyvolila za muža. /
/ Ani bych mu robiť nedala,
  lenom ako růžu bych ho chovala. /

/ Ako růžu, ako růžu, červenú,
  já bych bola jeho ženú milenú, /
/ Já bych bola jeho Lália,
  ako moja růža, růža červená. /
Little cherries, little cherries, oh cherries,
you spilled and scattered all over the road!
Who will find you, who will pick you up?
Last night I had a lover!

He was handsome like a rose,
I picked him to be my mate.
I wouldn’t let him work,
I'd only keep him as the rose.

As the rose, as the red rose,
I would be his beloved wife,
I would be his Lalia,
as my rose, my red rose.
MIT Folk Dance Club Songbook

Dancing Examples

Hora Romanesca from Boulder, CO. “Good” variations plus performance inside-out reversal.
Karen Faust. Includes the coda.
Dunav. Touch to the side and hopscotch variations, but they start to the right: CCW

Music Examples